Care Guide For Paintings

Stop by an art museum and you will find painted works of art that are hundreds of years old. They have been taken good care of through appropriate cleaning, proper lighting levels, and humidity and temperature control. One need not reside in a museum in order to possess fine works of art that will remain in excellent shape and endure for many years. Painted works of art change naturally in time, but following steps will help you care for your painted works and keep them looking like new for years to come.

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Install a backing board to stretch canvas painted works of art. Paintings on stretched canvas are usually open in the back and the opening can cause works of art to be affected by the environment; they may crack, flake and age more rapidly. Care for a painted work of art by having a backing board professionally attached to the frame. The backing board will prevent the infiltration of dirt, dust, air and debris KAWS FAR FAR DOWN Painting for sale . The back of a painting does not require ventilation, and it is best protected if it is completely sealed.

Hang securely to prevent damage. One of the most typical ways in which paintings are damaged is by improper hanging. A hanger or nail in a wall can give way, and a painting that is not properly outfitted with a wire hanger can fall to the floor. Care for paintings before they are ever hung by always using double-braided wire instead of other types of hangers. In addition, securely attach the braided wire to the frame around the painting rather than the frame the canvas is stretched around. Instead of ordinary nails, hang painted works of art on mounting hooks that are anchored into the wall and can hold more than the weight of the framed painting. When properly equipped with hardware and hung on strong hooks, painted and framed works of art will never fall off walls and become destroyed.

Take care by maintaining appropriate humidity. Fluctuations in the humidity can destroy painted works of art and wood frames. Appropriate care is necessary, and it is important to maintain lower humidity. Fifty percent humidity is ideal for displaying and storing paintings. Most of all, avoid suddenly changing the level of humidity. Surprisingly, great fluctuations in humidity are far more damaging than storing paintings in less than ideal humid locations.

Control all kinds of lighting. Natural as well as artificial lighting can be hot and can damage painted works of art and frames. Maintain care by keeping paintings away from sunny windows or bright sources of artificial light. Also, do not use wall-mounted lights typically used for displaying and highlighting paintings. The bulbs become hot, and when placed too close to works of art or even the frames, paintings can become extremely dry and eventually damaged. In lieu of using potentially harmful lighting, take care by choosing recessed lighting, lighting that is adjustable, indirect natural light, or tungsten lamps.

Regulate temperature. When looking to maintain proper care through light and humidity control, it is also vital to maintain temperatures that are idyllic for storing and displaying paintings. As a rule, if the temperature is comfortable for people, it is ideal for displaying and storing painted works of art.

Avoid smoking and spray products. Smoke will fade paintings and leave them coated in a layer of fine soot. Fireplaces can also damage and dirty paintings. Forbid smoking in the home or building, and do not display paintings near a fireplace or another source of smoke that can coat and discolor the work of art. In addition, do not spray air freshener or other products around or near paintings.

Care for works of art by preventing dust build-up. Just like other works of art, paintings require occasional dusting, but take care not to use items that can inadvertently scratch or flake away paint. Utilize a microfiber cloth or a brush with very soft bristles. A natural sable brush is ideal to care for and clean dust from the surface of paintings as well as the nooks and crannies of delicate frames.

Clean dirty paintings with care. If paintings that are at minimum six months old become soiled and a light dusting is insufficient, use a microfiber cloth dampened with a mixture of distilled water and a small amount of mild detergent to clean the surface. Using a clean microfiber cloth or fabric that is equally as soft, take care by ringing out the cloth after dipping it in clean distilled water, and gently remove the detergent and dirt. Allow the surface to air-dry to avoid putting undue pressure on the canvas. This type of care should only be used if a painting is truly dirty.

Have you wanted to try painting with watercolors but don’t know how to get started? If you have seen different watercolor paintings, you might have noticed the many varied types and techniques used. It might make it seem as if watercolors might be too complicated, but do not fear. The key is to find lessons from a teacher that can help you with all of the varied tricks, techniques, and methods while encouraging you and making it fun. For beginners, good lessons from a teacher that is skilled in not just one method or style, but in various methods is the best way to go. Taking lessons from someone who will want you to strictly follow only one way of painting may not allow you to experience what best suits you personally.

Watercolor painting is a medium that can be controlled when you learn the skill with a bit of practice, but it is by nature a very loose and transparent form of painting. This scares many people away from the media, but if you find someone to teach you the freedom that it allows you, you will be pleasantly surprised and pleased.

Good watercolor lessons will also cover the basics of drawing, composition, color, and shading. Even though watercolor lends itself to being loose, these basics are really very important to any kind of painting. When you actually begin your lessons, you will probably work with simple forms and practice techniques such as wet washes (which are wet paint laid directly onto wet paper), dry washes (which are watery washes of paint laid smoothly onto dry areas of the paper), and then layering these type of washes. You will also learn to blend and shade with this watery media. After that, you may begin to learn to control “happy” accidents, and use a dry brush or do varied fun methods of creating texture and detail. Your first paintings will be ones that generally follow that of the teacher’s painting in demonstrations to get a basis of experience and learning. Once you become more comfortable with watercolor painting, you will progress to painting from still life arrangements or photos that you have taken, or even other types of models or plein air.

There is a school of thought which is called the “Purists.” Those who follow a purist form of watercolor painting, insist that watercolor paintings must be done very cleanly and all whites must be the actual watercolor paper. Along with this, no other substances may be introduced or added to the painting. This means no white paint or opaque paints. On the other end of the spectrum, there is a school of thought, which allows and encourages the use of white paint and other substances to allow for creativity. If white paint is used, it is generally called a gouache and the painting looses it’s transparency.

Basic supplies for watercolor painting include special watercolor brushes which are more flexible than oil painting brushes. These brushes will normally have longer bristles and will hold a large amount of water or paint. Watercolor paintings are most commonly done on a special watercolor paper which is made of rag and can be purchased in varying sizes and weights. However, there are many other untraditional surfaces that can you may want to paint on. As for paints; there are the dry cake type watercolors that are available, but most serious or accomplished watercolor artists prefer tube watercolor paints. Your teacher will provide you with a list of supplies and will probably let you know their preferences.

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